Showing posts with label esoterica. Show all posts
Showing posts with label esoterica. Show all posts

Sunday, April 16, 2017


THE SEVEN PRINCIPLES OF HERMES

 by Mark David on elementamundi.com

Another seven... seven is such a magical number.




“The Principles of Truth are Seven; he who knows these, understandingly, possesses the Magic Key before whose touch all the Doors of the Temple fly open.”

–The Kybalion.

These are the Seven Principles of Hermes:
 
1) Mentalism — “Everything is mental; the Universe is a mental creation of the All.”

2) Correspondence — “As above so below; as below so above; as within so without; as without so within.”

3) Vibration — “Nothing rests; everything moves; everything vibrates.”

4) Polarity — “Everything is dual; everything has poles; everything has its pair of opposites; opposites are identical in nature, but different in degree; extremes meet; all truths are but half truths.”

5) Rhythm — “Everything flows out and in; everything has its tides; all things rise and fall; the pendulum-swing manifests in everything; the measure of the swing to the right is the measure of the swing to the left; rhythm compensates.”

6) Cause and Effect — “Every cause has its effect; every effect has its cause; everything happens according to the law; chance is but the name for a law not recognized; there are many planes of causation, but nothing escapes the law.”

7) Gender : “Gender is in everything; everything has its masculine and feminine principles; gender manifests on all planes.”



Sunday, May 22, 2016

Azrael The Archangel of Death


conceptual art by Donna Mae

Azrael the Archangel of Death – also known as ‘the angel of retribution’ – is Hebrew but originates from sects of Islam and Sikhism. It is an English form of the Arabic name ʿIzrāʾīl (عزرائيل) or Azra'eil (عزرایل), meaning literally means’ ‘Whom God Helps’, in an adapted form of Hebrew. The Qur'an never uses this name, rather referring to Malak al-Maut (which translates directly as angel of death). Also spelt Izrail, Azriel, Azrail, Azryel, Ozryel, or Azraa-eel, the spelling being the most often used Azrael.

Azrael and The Third Heaven


Islamic tradition places Azrael, the angel of death, in the Third Heaven called Marum. According to Shi'ite sources, a hadith from Imam Ali mentions the name of the seven heavens as:

Rafi' 
Qaydum
Marum
Arfalun
Hay'oun
Arous
Ajma'

‘The Shi’ites tell of seven heavens. Marum is the name of the third Heaven. Marum is the name of the third heaven, where the Archangel Azrael resided.’ 

The Third Heaven in the Book of Enoch


In the Second Book of Enoch, Third Heaven is described as a location "between corruptibility and incorruptibility" containing the Tree of Life, "whereon the Lord rests, when he goes up into paradise." (chapter 8) Two springs in the Third Heaven, one of milk and the other of honey, along with two others of wine and oil, flow down into the Garden of Eden. (verse 6) 

In contrast with the common concept of Paradise, the Second Book of Enoch also describes a Third Heaven, "a very terrible place" with "all manner of tortures" in which merciless angels torment "those who dishonour God, who on earth practice sin against nature," including sodomites, sorcerers, enchanters, witches, the proud, thieves, liars and those guilty of various other transgressions. (chapter 10)

Art work courtesy of Pete Mohr Bacher

Azrael and the Apocalypse


Four allusions to the Apocalypse of Moses occur in close proximity in 2 Corinthians. The allusions are (i) "Satan as an angel of light", (ii) the distinction of Satan and the serpent as two beings, (iii) "Third Heaven" (iv) “Paradise”.

Arabic Origins


In 22 some cultures and sects, Azrael, also pronounced as , is the name referring to the Angel of Death by some Arabic speakers. The name is mentioned in a few Muslim books but is argued by some Muslims as having no basis of reference.

Wikipedia tells us:

'Along with Jibrīl, Mīkhā'īl, Isrāfīl and other angels, the Angel of Death is believed by Muslims to be one of the archangels. Several Muslim traditions recount meetings between the Angel of Death and the prophets, the most famous being a conversation between the Angel of Death and Moses. He watches over the dying, separates the soul from the body, and receives the spirits of the dead in Muslim belief. Rather than merely representing death personified, the Angel of Death is usually described in Islamic sources as subordinate to the will of God "with the most profound reverence.” However, there is no reference within the Quran or any Islamic teachings giving the angel of death the name of Azrael. 

Riffian (Berber) men of Morocco had the custom of shaving the head but leaving a single lock of hair on either the crown, left, or right side of the head, so that the angel Azrael is able "...to pull them up to heaven on the Last Day." '

Wednesday, February 24, 2016

Ohr Ein Sof - The Infinite Light

The Ohr Ein Sof - The Infinite Light

Cold night in the desert by KPEKEP on deviant art


The Ein Sof (literally: "Without End"/Limitless/Infinite) is the Kabbalistic term for ‘the Divine essence’. As well as the 10 "lights" of God encapsulated in the Sephirot, Kabbalah describes a more primordial light that shines from the Ein Sof (Infinite) itself. This light, the origin of all Creation, and all lower lights, is called the "Ohr Ein Sof" ("The light of the Infinite", or alternatively, itself "The Infinite Light”).

Ohr ("Light" Ohros/Ohrot "Lights") stems from the "Ma'ohr" ("Luminary"), the source of the light – an analogy of physical light used to describe metaphysical Divine emanations.

Supernova by KPEKEP on deviant art

Kabbalah

For those (like myself) new to the esoteric doctrine, the Kabbalah is the ‘hidden church of Israel’, an inward spiritual and mystical church claiming access to ‘light of a secret traditional knowledge preserved among the chosen people’. Derived from Hebrew scripture of old, becoming the written secrets sourced from oral tradition. Mystics are those who sense the reality of the scriptures and the dimensions they represent, while unable to make manifest through word or sign the nature of this ‘hidden reality’.

The metaphorical description of spiritual Divine creative-flow, using the term for physical "light" perceived with the eye, arises from analogous similarities. These include the intangible physicality of light, the delight it inspires and the illumination it gives, its apparently immediate transmission and constant connection with its source. 

Light can be veiled ("Tzimtzum" 'constrictions' in Kabbalah) and reflected ("an ascending light from the Creations" in Kabbalah). White light divides into 7 colours, yet this plurality unites from one source. Divine light divides into the 7 emotional Sephirot, but there is no plurality in the Divine essence. The term Ohr in Kabbalah is contrasted with Ma'ohr, the "luminary", and Kli, the spiritual "vessel" for the light.

Kabbalah describes 10 Sephirot (The 10 Divine emanations or attributes), that reveal the unknowable Godhead to the creations and channel the creative life-force to all levels of existence. However, these 10 attributes of God do not represent the Divine essence. The Kabbalists differentiated between the manifestations of God (forms of "light"), and their origin in the Divine essence (the “Luminary”).

Command center by KPEKEP on deviant art

Monday, December 14, 2015

The Oldest City In The World

Eridu

Image source: Wikicommons.

Eridu appears to be the earliest settlement in the region, founded ca. 5400 BC, close to the Persian Gulf near the mouth of the Euphrates River. According to the Sumerian kinglist Eridu was the first city in the World. The opening line reads,
"[nam]-lugal an-ta èd-dè-a-ba
[eri]duki nam-lugal-la"
"When kingship from heaven was lowered,
the kingship was in Eridu."
In Sumerian mythology, it was said to be one of the five cities built before the Deluge occurred.

The first myths explained to mankind the wonders of the universe reincarnated as gods. Enki's Temple in Eridu is called E-abzu, "House of the abyss" or ‘house of the cosmic waters,’ located on the edge of a swamp  - an abzu - as can be seen in this illustration. The oldest settlements were based on agriculture with connection to Samarra culture to the north, characterised by the building of canals, and mud-brick buildings. The fisher-hunter cultures of the Arabian littoral were responsible for the extensive middens along the Arabian shoreline, and may have been the original Sumerians.

Image source: Wikicommons.

Possible location of Tower of Babel

The Egyptologist David Rohl has conjectured that Eridu, to the south of Ur, was the original Babel and site of the Tower of Babel, rather than the later city of Babylon.
Other scholars have discussed at length a number of additional correspondences between the names of "Babylon" and "Eridu". Historical tablets state that Sargon of Akkad (ca. 2300 BC) dug up the original "Babylon" and rebuilt it near Akkad, though some scholars suspect this may in fact refer to the much later Assyrian king Sargon II.

Mythological Abzu

Abzu or Apus - literally, ab='ocean' zu='deep', was the name for the primeval sea below the void space of the underworld (Kur) and the earth (Ma) above. It may also refer to fresh water from underground aquifers that was given a religious fertilizing quality. Lakes, springs, rivers, wells, and other sources of fresh water were thought to draw their water from the abzu. 

The Enmua Elish

Abzu is also depicted as a deity (Akkad in the North and Sumer in the South of the Tigris-Euphrates fertile crescent) in the Babylonian creation epic, the Enûma Elish, taken from the library of Assurbanipal (c 630 BCE) but which is about 500 years older. In this story, he was a primal being made of fresh water and a lover to another primal deity, Tiamat, who was a creature of salt water. 

The Enuma Elish begins:
When above the heavens did not yet exist nor the earth below, Apsu the freshwater ocean was there, the first, the begetter, and Tiamat, the saltwater sea, she who bore them all; they were still mixing their waters, and no pasture land had yet been formed, nor even a reed marsh...

This resulted in the birth of the younger gods, who latter murder Apsu in order to usurp his lordship of the universe. Enraged, Tiamat gives birth to the first dragons, filling their bodies with "venom instead of blood", and made war upon her treacherous children, only to be slain by Marduk, the god of Storms, who then forms the heavens and earth from her corpse.

Apzu is a consort of Tiamat, the primordial abyss of salt waters of Chaos. Unlike Tiamat, Apsu represents the sweet waters underneath the earth. It was also the name for the primeval sea, a primeval abyss of sweet water from which all things sprang below the void space of the underworld (Kur) and the earth (Ma) above.

The Elements

In the later legends of the Enuma Elish, the sweet water mingled with the bitter waters of the sea and with a third watery element, perhaps cloud (mist), the first gods were engendered – represented by the two elements water and mist. The first men were formed by Nammu with clay dug up from Apsu’s waters...
Later myths tell that the sweet and salty waters came together with a third element—possibly cloud—and created the first gods. Mesopotamian myths tell that Ea had cast a spell upon Apsu to keep the sweet waters contained underground. (although some myths say that Ea had killed Apsu.) In the "The Epic of Creation (Enuma Elish): Tablet I" it is written 'He is the underworld ocean, the begetter of the skies (Anshar) and the earth (Kishar) and the father of Lahmu and Lahamu.'

Eridu 

In Sumerian mythology, Eridu was the home of the Abzu temple of the god Enki, the Sumerian counterpart of the Akkadian water-god Ea. Like all the Sumerian and Babylonian gods, Enki/Ea began as a local god, who came to share, according to the later cosmology, with Anu and Enlil, the rule of the cosmos. His kingdom was the sweet waters that lay below earth (Sumerian ab=water; zu=far).
The stories of Inanna, goddess of Uruk, describe how she had to go to Eridu in order to receive the gifts of civilization. At first Enki, the god of Eridu attempted to retrieve these sources of his power, but later willingly accepted that Uruk now was the centre of the land. This seems to be a mythical reference to the transfer of power northward.
Babylonian texts talk of the creation of Eridu by the god Marduk as the first city, "the holy city, the dwelling of their [the other gods] delight".
In the court of Assyria, special physicians trained in the ancient lore of Eridu, far to the south, foretold the course of sickness from signs and portents on the patient's body, and offered the appropriate incantations and magical resources as cures.

Links to Ancient Egypt

The Ancient Egyptians envisaged the oceanic abyss of the Nun as surrounding a bubble which was 'the sphere of life'. This represented the deepest mysteries of the cosmos - linked to the myth of creation, remnants of which we can read in Genesis in the Bible. The creation myth of Egypt tells of the original earth rising out of the primeval waters called Nun. Nun is the source of all that appears in the world, all aspects of divine and earthly existence. In the Ennead cosmogony Nun is perceived as transcendent at the point of creation alongside Atum the creator god.


Monday, October 20, 2014

The Osireion, Abydos

Mark David's  homepage
Photo courtesy of Eduardo Pi Peret

Abydos has revealed itself to be one of the most important archaeological sites in Egypt. It is the site of the pre-dynastic royal graveyard, which has revealed some interesting links with Sumeria; and of the Osireion, an enigmatic underground chamber connected to the Nile called by the Greeks as the Memnonium.


The Osireion can be called an ‘anomaly’ - the scientific euphemism for “mystery.” Mainstream archaeologists usually deal with such anomalies by either ignoring them (because they don’t know how to explain them), or using inconclusive evidence to fit them into the accepted time framework.
Entered from an underground passage, this simple complex of a central space with columns and carved chambers is fashioned from enormous blocks of granite the style of which is comparable only with that seen at the Valley temple, Giza. The temple of the Sixth Dynasty Seti I was later built over this site, which dates from an earlier time. Abydos has been called One of the holiest places in Egypt from the very earliest of times.
***

Construction

The area is constructed of ten central columns 4.2m high and perfectly-formed blocks up to 6m long. The walls surrounding the building are made of 5m thick, red sandstone with 17 cubicles surrounding the central area. The chamber is surrounded by a ‘moat’ with ‘cells’ coming off it, six to the east, six to the west, two to the south and three to the north. The whole structure was enclosed within an outer wall of limestone.


Description

Almost flush with the water table and therefore the Nile, it is likely the Osireion was always part filled with water, leaving a central plinth protruding like an island in the center. Submerged staircases in the temple floor descended into underwater chambers.
Inside, the Osireion is one of the only two examples in Egypt of monolithic granite architecture made from rose-colored Aswan granite (the other is the Valley Temple next to the Sphinx—another “anomaly”). The red granite blocks you see in the picture weigh up to 100 tons.


Both structures were made from large, unadorned and lintelled pillars. Two rows running along the length with five pillars in each, creating a central chamber. Both structures were covered over, and both were associated with the Nile. The Osireion has 17 chambers running along the walls while the Valley Temple has 17 sockets in the floor for statues. Naville, who excavated the site in 1913-14, immediately recognized the similarities between Khafre's Valley Temple at Giza and the Osireion, and concluded that they were of the same Old Kingdom era.
Both Giza and the Osireion show the same specific masonry technique. The same 'maneuvering protuberances' were left on the otherwise finished blocks. These are the only two known examples of this technique in early dynastic structures.


Significance

The Osirion is the only temple known from Ancient Egypt to be built below ground level. With, perhaps, the exception of the Labyrinth at Hawara should excavations prove the theory that a hidden underground level that even Herodotus was forbidden on entering prove to be true. The Osireion is one of those places on earth where you stand in awe of history:
‘The other hypothesis was that this was the building for the special worship of Osiris and the celebration of the Mysteries, and this appears to me to be the true explanation, for many reasons. Each reason may not be convincing in itself, but the accumulation of evidence goes to prove the case. There is no tomb even among the Tombs of the Kings that is like it in plan, none having the side chamber leading off the Great Hall. Then, again, no tomb has ever been found attached to a temple; the converse is often the case, I mean a temple attached to a tomb; but this, as far as we can judge, is a kind of extra chapel, a "hidden shrine" as the mythological texts express it, belonging to the temple.
It is only to be expected that Osiris, one of the chief deities of Egypt, should have a special place of worship at Abydos, where he was identified with the local god. And that it should be a part of the temple dedicated to the worship of the dead, and which had special chambers set apart for the celebration of the Osirian mysteries is very natural likewise. The building lies immediately in the axis of the temple; a line drawn through the temple and the desert pylon to the Royal Tombs passes through the sloping passage and across the center of the Great Hall. This is not the result of an accident, the temple being older than the hypogeum, but shows that both were dedicated to the same worship.
The sculptures in the Great Hall are the Vivification of Osiris by Horus, and the offering of incense by Merenptah; between the two sculptures is inscribed chapter cxlii of the "Book of the Dead", the "Chapter of knowing the Names of Osiris". The other chapters of the "Book of the Dead" inscribed on the walls were pronounced by M. Maspero, when he saw them, to be the "Book of Osiris". The books of "Gates" and of "Am Duat", which are sculpted and painted on the north passage, were said by the ancient Egyptians to have had their origin in the decorations which Horus executed on the walls of the tomb of his father Osiris.’

Extract by Archaeologist Margaret Alice Murray

According to Schwaller de Lubitz, the French esotericist, alchemist, and Egyptologist, Egyptian civilization appeared complete at its beginning. There is no sign of a period of development; if anything, it only deteriorated from its outset. Sir Flinders Petrie, unlike modern archaeologists, was quite willing to accept the existence of an earlier, yet undiscovered civilization in Egypt.
Osiris was believed to have been a king in pre-historic, legendary times.
Ancient Egyptian documents refer to the period when Egypt was ruled by Shemsu Hor (the Followers of Horus), a group that transmitted knowledge to a primitive, Neolithic culture of the pre-Dynastic Egypt.
Annual Report from the Smithsonian Institute, 1914, pp. 579-585.



Excavations at Abydoss: Naville, Edouard. (Extract)
'There is no longer any doubt, then, that we have discovered what Strabo calls  the well or the fountain of Abydos. He spoke of it as being near the temple, at a great depth, and remarkable for some corridors whose ceilings were formed of enormous monolithic blocks. That is exactly what we have found.
These cells were 17 in number, 6 on each of the long sides. There was one in the middle of the wall at the back; in passing through it one came in the rear to the large hall which was the tomb of Osiris. A careful study of the sculptures confirmed the opinion that this was a funeral hall where the remains of the god were expected to be found. But this hall did not form part of the original edifice. It must have been constructed underground when Seti I built the temple of the god. The tomb of Osiris was very near the great reservoir. Nothing revealed its presence; the entrance to it was exactly like that to all the other cells, the back of it being walled up after they had dug through it...
...We have as yet no certain indications of the date of the construction; but the style, the size of the materials, the complete absence of all ornamentation, all indicate very great antiquity. Up to present time what is called the temple of the Sphinx at Gizeh has always been considered one of the most ancient edifices of Egypt. It is contemporaneous with the pyramid of Chefren...
'The reservoir of Abydos being of a similar composition, but of much larger materials, is of a still more archaic character, and i would not be surprised if this were the most ancient structure in Egypt'

Saturday, August 30, 2014

Djoser, The Northern Star and the Soul of the Dead

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Djoser, The Northern Star and the Soul of the Dead

The oldest statue of a Pharaoh. 


This is the oldest statue of a Pharaoh. The pharaoh Djoser's Ka statue peers out through the hole in his serdab, ready to receive the soul of the deceased and any offerings presented to it. This is a copy of the original statue, the image taken from Wiki, processed by me to make it look old. The original statue, the oldest life size statue in Egypt, is in the Egyptian museum, Cairo.
The beliefs of ancient Egypt are confusing for those entering the subject for the first time, it is helpful and insightful to appreciate how beliefs developed over time, time being one of the three main themes in The Elements (the 3 main themes are belief, fate and time).

Background

Because Egyptians believed that the soul had to be maintained in order to continue to exist in the afterlife. These openings "were not meant for viewing the statue but rather for allowing the fragrance of burning incense, and possibly the spells spoken in rituals, to reach the statue”.
There is beauty, in life. Especially, in life, life eternal.
Djoser’s original name was Netjerykhet. Netjerykhet and Imhotep built a mortuary temple so it could face the northern star. The mortuary temple complex was the place where the rituals and offerings to the dead were performed, the center of a cult to the dead, so life could live on, eternally. 
Ansley’s eyes shone with an inner light. ‘Find the ka statue… the life force, the ka, is embodied in the statue, that is why statue’s were carved, as containers, so they could gain power from the rituals, incantations of spells. It allowed the ka to live, witnessed by the eyes into ka… 
Only later, did the cult of death and rebirth through the cult of the sun replace the old beliefs.
The actual burial chambers preserving the body were cut deeper until they passed the bed rock and were often lined with wood. A "serdab", from the Persian word for "cellar", down here was used to store anything that may have been considered as an essential such as beer, cereal, grain, clothes and other precious items that would be needed in the afterlife.

The first King of the Pyramids

Above in the mastaba, (to be the subject of a separate blog), a serdab was also the place housing the life-statue of the dead King Djoser, father of the pyramid builders (and his architect Imhotep), in the temple complex at Saqqara (The Step Pyramid of Djoser).
‘Look for the star… this is an old, old place. Look for the star…’ He looked up., around him. ‘See, see what we have created by the hand of man, see. Eternity.’
The above ground pre-pyramid building, the mastaba, housed a statue of the deceased that was hidden within the masonry for its protection. High up the walls of the serdab were small openings, because according to the ancient Egyptians, the ba could leave the body but it had to return to its body - or it would die.
These cults were in being in connection with a cult of the Northern Star, before the later cult of death and rebirth associated with Ra, the god of the sun. This is an important distinction, since the cult of Egyptian gods followed a path back to origins lost to us. A northern-orientation was thus preserved in the North-South axis of the later pyramids.

image processed from original by Charles J Sharp, Wiki Commons

Info

Because Egyptians believed that the soul had to be maintained in order to continue to exist in the afterlife. These openings "were not meant for viewing the statue but rather for allowing the fragrance of burning incense, and possibly the spells spoken in rituals, to reach the statue”.

The actual burial chambers preserving the body were cut deeper until they passed the bed rock and were often lined with wood. A "serdab", from the Persian word for "cellar", down here was used to store anything that may have been considered as an essential such as beer, cereal, grain, clothes and other precious items that would be needed in the afterlife.

Above in the mastaba, a serdab was also the place housing the life-statue of the dead King Djoser, father of the pyramid builders (and his architect Imhotep), in the temple complex at Saqqara (The Step Pyramid of Djoser).

The above ground pre-pyramid building, the mastaba, housed a statue of the deceased that was hidden within the masonry for its protection. High up the walls of the serdab were small openings, because according to the ancient Egyptians, the ba could leave the body but it had to return to its body - or it would die.

These cults were in being in connection with a cult of the Northern Star, before the later cult of death and rebirth associated with Ra, the god of the sun. This is an important distinction, since the cult of Egyptian gods followed a path back to origins lost to us. A northern-orientation was thus preserved in the North-South axis of the later pyramids.

Wiki: